AlonsoReck is a blackwork tattoo artist known for large-scale compositions that interact with the anatomy of the body. His work is defined by strong contrasts, organic forms, and a visual language heavily influenced by nature. Coming from a background in graffiti and drawing, he develops original hand-drawn designs that flow naturally with the human body.
“My work was born in darkness and grew up in the streets.”
Follow his work at @alonsoreck_
Can you start by introducing yourself and telling us about your journey as a tattoo artist?
My name is Alonso Muñoz Córdova and I am a tattoo artist specializing in blackwork. I have been tattooing for nine years, and my journey began through drawing, graffiti, and long nights of writing and walking through the city. From a young age, I felt a strong connection to art and visual expression.
Over time, I became interested in tattooing as a way of bringing art directly onto the human body. Since then, I have focused on developing my own style, constantly learning and refining my work, always aiming to create strong, clean pieces with a clear identity.
You specialize in blackwork. How would you describe your style, and why did you choose it?
My work focuses on strong contrasts, solid compositions, and large scale pieces that interact with the body. I like to work with as much of the body as possible, emphasizing each person’s anatomy and allowing the tattoo to flow naturally with the muscles and movement of the skin.
I chose blackwork because it has a very powerful visual language while still being extremely versatile. Black ink has a unique strength on the skin and allows for timeless designs that age well. Over time, both life and tattooing itself guided me toward developing this style.
Your designs are original and hand-drawn. Could you walk us through your design process?
I usually start with a general idea based either on a client’s concept or on something I want to develop creatively. Much of my inspiration comes from nature — roots, dry branches, animal fur, and organic textures. I try to translate these elements into shapes that feel natural and alive on the body.
From there, I create several hand-drawn sketches until I find a composition that works well with the body’s anatomy. I enjoy working directly on the skin or starting with pencil drawings because it allows the design to maintain more personality, movement, and organic flow.
What do you consider to be your most recent successes in your career?
I’m not sure if I would call them successes, but something that gives me a lot of peace is feeling that I’m getting closer to what I want to express through my work. Over time, I’ve been able to dedicate more time and attention to each project, giving every tattoo the importance it deserves.
I’ve also developed closer relationships with my clients, and that connection is often reflected in the work we create together. Recently, I’ve had the opportunity to work on larger and more complex projects, which constantly challenge me and motivate me to keep learning within this vast world of tattooing.
I’ve also received a few awards at tattoo conventions I’ve participated in, which has been very motivating in my growth as an artist.
What do you like most about being a tattoo artist, and what is the most challenging aspect of your work?
What I enjoy the most is the people I meet along the way. Tattooing allows you to connect with many different individuals — clients, artists, and friends. Many times, clients eventually become great friends, and that is something very special.
Creating something permanent on someone’s skin is also very meaningful. It’s a big responsibility, but at the same time very rewarding.
Another incredible part of my journey has been traveling to many countries and having the opportunity to share experiences with top level artists. I’ve visited numerous studios of different styles, which has expanded my perspective and allowed me to learn from a wide range of techniques and approaches.
The most challenging aspect is finding a way to contribute something to the tattoo world itself — to leave something that adds value to this culture and art form. It also requires maintaining a high level of creativity, focus, and constant evolution as an artist.
Apart from tattooing, are there other forms of art that you pursue or feel passionate about?
Yes. I have a strong connection with graffiti and street art. I really enjoy working with spray paint, whether it’s graffiti or murals. I’ve always loved the energy of painting in the street — tags, throw-ups, and the whole culture that surrounds it.
I also enjoy working with more traditional mediums such as ink and watercolor.
Do you have any exciting plans or upcoming projects you’d like to share?
I’m always working on new designs and larger-scale projects. I’m also interested in continuing to develop my visual language,
exploring new compositions on the body, and pushing my work toward stronger and more organic pieces.
I’m motivated to keep experimenting, collaborating with other artists, and creating projects that allow me to push the limits of my own style and the way tattooing can interact with the body.
And finally — how do you like to spend your free time outside of art and tattooing?
Outside of tattooing, I enjoy training, resting, and spending time with people close to me. I also really enjoy going to the beach and watching the sea.
Taking some distance from the studio from time to time helps me recharge and come back with new energy and ideas.
Published on April 13th 2026, Author: Lenka Banyarova